Showing posts with label Show Notes. Show all posts
Showing posts with label Show Notes. Show all posts

Thursday, March 7, 2013

Educating Rita - Show Notes

EDUCATING RITA

A Comedy by Willy Russell.


Synopsis

“University lecturer Frank needs to earn some extra money, so he agrees to tutor an Open University student.  His student Rita is a brash, earthy hairdresser with a recently discovered passion for higher education, much to the dismay of her husband Denny.  In her attempts to appreciate literature, Rita challenges the attitudes of a traditional university, teaching Frank to question his own understanding of his work and himself.”
“ . . . Educating Rita is a small, intimate play, but it tells a story of big ideas, ideas close to Willy Russell’s heart.  There is a lot of humor in the writing, but it is also a serious play, about class and choice.” 

The play, which explores the relationship between student and tutor, takes place in Northern England, presumably Liverpool, with two characters and one set: Frank’s office.  

Production History

Mark Kingston
The Royal Shakespeare Company commissioned Willy Russell to write this show, which premiered in June 1980 at the Warehouse, a concert venue and recording studio on London’s south bank, and starred Mark Kingston and Julie Waters. Three months later the show transferred to the West End’s Piccadilly Theatre where it ran for 30 months and won the Society of West End Theatres award for Best Comedy.  Since then the show has been widely produced in the U. S. and around the world. The script was updated in 2003 to better reflect contemporary society.

Michael Caine and Julie Walters
In 1983, Educating Rita was made into a film which won Michael Caine and Julie Walters Golden Globe awards for Best Actor and Best Actress. Russell also adapted the play into a radio version for the BBC in 2009.  



About the Playwright

Playwright Willy Russell
Willy Russell was born in Liverpool, leaving school at 15 to become a hairdresser before returning to education and becoming a teacher.  While training to become a teacher he wrote his first play, When the Reds, which premiered at the Edinburgh Festival.  His first professional work was an adaptation of Alan Plater’s Tigers are Coming O.K., which appeared in Liverpool in 1973. His next work, John Paul George Ringo … and Bert, moved from Liverpool to the West End and received the Evening Standard and London Theatre Critics Awards for Best Musical.  He is also well known for Blood Brothers, which played in London and on Broadway, and for screenplays for the movie versions of Shirley Valentine and Dancing Thru the Dark based on his plays Stags and Hens.  (Taken from www.castproductions.com/willyrussell.html)

Russell began writing songs in the early 1960s.  He wrote the book, lyrics and score for Blood Brothers and provided the scores for the feature films, Shirley Valentine, Dancin' Thru the Dark and Mr. Love as well as for the TV series Connie and the television play Terrace.  His first novel, The Wrong Boy, published in 2000, has been translated into 15 languages.

“The play [Educating Rita] was inspired by Willy’s own experiences at evening classes.  Much of the comedy arises from Rita’s fresh, unschooled reaction to the classics of English literature, but she is never patronized by Willy, who recognizes from his own experience that education is a means of escape from one’s own circumstances.”  

All of Russell’s plays examine the working class and include strong women. Educating Rita examines the shortcomings of institutional education, marriage, and the nature of self-development and unreturned love.  Warm and witty, it demonstrates that anything is possible. It borrows from the George Bernard Shaw play Pygmalion, which was the basis for the musical hit My Fair Lady.  A more contemporary version of this story of transformation was the film Pretty Woman

Said Russell: “I wanted to make a play which engaged and was relevant to those who considered themselves uneducated, those whose daily language is not the language of the university or the theatre. I wanted to write a play which would attract, and be as valid for, the Ritas in the audience as the Franks.” 

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